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・ Self-portrait (Rembrandt, Vienna)
・ Self-Portrait (Rubens, 1638–1639)
・ Self-portrait (Thomas Eakins)
・ Self-Portrait (Titian, Berlin)
・ Self-Portrait (Titian, Madrid)
・ Self-portrait (van Dyck, 1613-14)
・ Self-portrait (van Dyck, 1640)
・ Self-Portrait (van Hemessen)
・ Self-portrait as a young man
・ Self-Portrait as the Allegory of Painting
・ Self-portrait as the Apostle Paul
・ Self-portrait as Zeuxis Laughing
・ Self-Portrait at the age of 13
・ Self-portrait at the age of 34
・ Self-portrait at the age of 63
Self-portrait by Judith Leyster
・ Self-Portrait in a Circle of Friends from Mantua
・ Self-portrait in a Convex Mirror
・ Self-portrait in a Convex Mirror (book)
・ Self-Portrait in a Striped T-shirt
・ Self-portrait wearing a white feathered bonnet
・ Self-portrait with a friend
・ Self-portrait with a sunflower
・ Self-Portrait with Bandaged Ear
・ Self-Portrait with Beret and Turned-Up Collar
・ Self-portrait with dishevelled hair
・ Self-portrait with Dr Arrieta
・ Self-Portrait with Halo and Snake
・ Self-Portrait with Model at Bergamo
・ Self-Portrait with Monkey


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Self-portrait by Judith Leyster : ウィキペディア英語版
Self-portrait by Judith Leyster

''Self-portrait by Judith Leyster'' is an oil painting in the collection of the National Gallery of Art that was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke.〔(Judith Leyster ), by Els Kloek, in 1001 Vrouwen uit de Nederlandse geschiedenis〕 It was attributed for centuries to Frans Hals and was only properly attributed upon acquisition by the museum in 1949.〔Judith Leyster: A Woman Painter in Holland's Golden Age, by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, ISBN 90-70288-62-1, catalog #21〕
==Provenance==

The painting, supposed to be executed in the 1620s by Hals, may have been among those sold as "Daughter of the artist" in early sales catalogs. The painting was sold by the Ehrich Galleries of New York on 9 May 1929 to Mr. and Mrs. Robert Woods Bliss, of Washington, D.C for 250,000 dollars.〔Gratama, Gerrit David. "Het Portret van Judith Leyster door Frans Hals." Oud Holland 47 (1930): 71-75〕 In 1928 W.R. Valentiner declared it a portrait of Leyster by Hals, and in 1930 Gerrit David Gratama confirmed his attribution, declaring that it was a portrait taken while she was making a study of her later painting ''The Merry Trio''.〔
According to Hofrichter, x-ray analysis shows that the subject first underneath the figure on the easel was a portrait of a young girl, and that it would be in keeping with the tradition of other masterpieces of Leyster's day to show off her artist's expertise by changing this to show that she was also capable of painting figures in theatrical poses as well as portraiture.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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